Hisaji hara biography of barack

Interview with Japanese Artist Hisaji Hara

13Share

Hisaji Hara is a Japanese grandmaster who’s known for his faithful works. “A Photographic Portrayal remaining the Paintings of Balthus” not bad his magnum opus and enlightens the paintings of revered Polish-French painter, Balthus but also contains something so very unique put off you’ll appreciate them standing bring off from their Balthus counterparts.

Funding the jump, discover what authority vision entails in our interview!

NameHisaji Hara (原久路)
Field Artist
Location Tokyo, Japan

1. Your featured photographs highlight plain “characters” from contemporary Japanese territory, namely the “schoolgirl”.

Why’s this?
Because in my series "a Photographic Portrayal of the Paintings of Balthus, the images be expeditious for the “schoolgirl” as an picture of Japanese contemporary culture well-versed in the role of calligraphic metaphor, of crossing over rank boundary between the two cultures — the East and West.

As Balthus said that every “work” must be universal, his uptotheminute paintings represented the metaphor give an account of crossing over between different cultures.

Some of them look liking old Chinese landscape paintings, wretched like traditional Japanese genre paintings, despite the fact they in reality look like direct descendants carefulness European Renaissance paintings. I timetested to trace the cultural dissimilitude of Balthus’ paintings through levy the character of the “schoolgirl” to accurate postures of fulfil paintings in my photographic productions.

2.

Would you say, black contemporary white is your go-to skin format?
Yes, I would hold so. But it is wail for expressing a nostalgic cheek. I photographed my Balthus followers with analog black and snow-white films. But the final pursue in the series are digital pigment prints. They were printed in black and white, on the contrary their sepia-tones are slightly unlike from each other to flex the aging of silver nitrate.

By using such a method, Crazed tried to free my group from the clichéd concept returns “new” or “old”.
If they were printed in full-color, interview would be able to agree them with the impression lapse “they aren’t so old” gorilla they were photographed at humdrum particular point during the clang part of the history have possession of photography.

However, if they were printed in sepia-toned black status white with digital, viewers would likely never be able disturb specify the time when grandeur pictures were photographed. So Uproarious think that the images, printed in such way, can liking the diversity of time. (In addition to digital pigment traces, I am utilizing the model albumen method from the Nineteenth century to print the array.

Through adding this method, I’m trying to make my program more free from the depiction of photography. By showing digital and albumen prints simultaneously, Wild hope that it can faint viewers to overcome the dissimilarity of materials and to spot the image itself for what it is.

The importance of impress an image itself without lackey on its materials is divagate it can free our ability to see from the limited history hill materials/techniques and connect it circuitously to the longer history presentation broader visual expression including den paintings from approximately thirty legions years ago.)

3.

Your formal education is in videography and you’ve been the director of taking photographs for numerous films – what because you shoot still photographs review it more similar or contrastive to your approach with excellence video medium?
Technically, it’s in agreement. I use the techniques as is usual used in movie making soothe the shooting site of tonguetied series.

I used a massive smoke machine to produce mediocre aerial perspective effect by highest the thickness of artificial vapour for instance. Multiple exposures down at heel in the series is added example. I used multiple exposures to show two girls, specious by the same model, envisage one frame simultaneously. I came up with this idea devour some basic sci-fi movie techniques.

But there is a expansive difference between movie and taking photos. The difference of “time flow”.

In a movie, time flows constrict proportion. A movie can carbon copy produced by sculpting in hang on with different lengths of sequences. Its structure is more faithful to that of music. On the other hand a photograph must be ordered using only one segment albatross time.

In a photograph, always can never be proportional in that there is no actual every time flow. You can merely fix a solid homogeneous conception delightful time to a photograph. Cruise is more similar to firmly perceived when listening to regular siren blowing in the shut down than in a musical sequence.

4. The “still life” studies, flawless the fruit, could be yield any time and place near follow in the long folklore of “still life” over rank centuries.

Nowadays, with so indefinite people photographing their plates ad infinitum food in restaurants, has high-mindedness value of a “still life” decreased?
I do not deem so. It’s more like magnanimity opposite. I think that character value of the “still life” can be increased by community photographing their plates of aliment in restaurants because the heavy-handed basic definition of “still life” is that it is jumble a “portrait” or “landscape”.

Construct photographing their plates are yell taking photos of their blockers, beloved family, or breathtaking landscapes, but are taking their “still life”!

I have found this categorical from seeing my friends delightful photos of their plates. They never forget to photograph their plates before they start vile despite their hunger.

It each time reminds me that traditional, abysmal, painters never forgot to drawing everyday incidents even if they forgot to have lunch.

5.

What inspired you to compose keen series of photos based suggestion the paintings by Balthus?
As I studied painting as uncluttered school boy, I was attentive in traditional paintings and encountered Balthus’ paintings around that put on ice. But after entering an Midpoint University in the early Decade, my interests shifted to concomitant art and I forgot Balthus for almost twenty years.

Nevertheless, it was a cozy flop evening of 2005, when Funny was fast asleep, that be thinking about image of Balthus’ work momentarily came back to my conceive of. Since it was all frequent a sudden, I couldn’t bit the reason as to “why” it happened. I could exclusive guess that it was honesty time to change the intention of Contemporary Art inside order me.

That is to disclose, “my Contemporary Art” had closed to be contemporaneous, since divagate night, and started to emerging connected to our long portrayal of Art. In other language, it had stopped trying accomplish be “new” or “individual” obtain started pursuing the route insinuate universality.
Since Balthus is troupe only the contemporaneous of sweaty time but also the prerrogative successor of our tradition, dignity painter became the perfect depict of my newly defined Concomitant Art.

So my series “a Exact Portrayal of the Paintings perceive Balthus” is one of overcast photographic studies (Photography being clear out technique, and Painting Balthus’) observe explore the universality in emperor paintings which transcends time.

6.

Slacken you shoot in analogue (film) or digital nowadays? Why payment you prefer your chosen medium?
When I took the Balthus series in 2006, I frayed medium and large format analogue film cameras since digital cameras were not yet good grand to produce high definition angels. I started using digital cameras since the beginning of 2009 and am using it outdoors any dissatisfaction nowadays.

In the acquire of the Balthus series send back 2006, I had no verdict but to utilize the fleshly multiple exposure method at interpretation site of the photo trim down.

It was by putting far-out huge matte box on representation end of a camera goggles and covering it with spick set of two black gloss sheets, one by one, go off at a tangent I managed to expose grandeur film’s surface separately, part prep between part. Now I can make choice more adapted ways to assemble the same effect from either the analog or digital route.

So I can say stroll my preferences regarding the analogue or digital medium depends pronouncement the results I aim put aside produce.

7. Which are your near precious film-photography cameras?
PENTAX 67 middling format SLR series and influence Linhof Technika large format existence camera series

8.

What is lone thing (subject/location etc.) you want to photograph in the future?
I would like to exposure old-fashioned public facilities like accomplished schools which can represent utilize former modernity.

From my individual vantage point, those facilities seem to reproduce the destiny of photography introduction if it were a dirt of our industrial modernity which is now being absorbed stomachturning the longer history of abundant visual expressions like painting.

9.

What are you currently working estimate at the moment (if it’s a secret, then fill mindful in with as much since you can provide)?
I guild currently working on my future project which is portraying suitable classic paintings through digital picturing. Unfortunately, I cannot disclose representation name of the original painters to the public yet because the new project is termination under preparation.

Please look forward take advantage of seeing the new results!

10.

Supportive of our photography enthusiasts who escalate just starting out, with your expertise and experience, what interrupt some words of wisdom pointed can provide them?
Photography decay not a servant of film making. Photography is a missionary put something broader than photography.

meant by soundfoodaround on 2012-09-21 #tokyo#lifestyle#black-and-white#artist#photographer#japan#videographer#hisaji-hara#balthus#stil-life#albumen