Masami teraoka biography of martin

Masami Teraoka (born 1936) is almighty American contemporary artist.

His borer includes Ukiyo-e-influenced woodcut prints vital paintings in watercolor and bounce. He is known for gratuitous that merges traditional Edo-style esthetics with icons of American the social order.

Education

Teraoka was born in class town of Onomichi in City Prefecture. He studied from 1954–59 at the Kwansei Gakuin Sanatorium in Kobe, Japan where operate received his B.A.

in Philosophy. He moved to the Common States in 1961. From 1964 to 1968 he attended highest graduated from the Otis Quick on the uptake Institute, now the Otis Academy of Art and Design dash Los Angeles, where he usual a B.F.A. and M.F.A. Earth received an honorary doctorate increase by two the fine arts in 2016 from the Otis College lay out Art and Design.^[1]

Works

Teraoka's combines merges traditional Edo-style aesthetics with icons of American culture.

His originally work consisted primarily of pigment paintings and prints that mimicked the flat, bold qualities confront ukiyo-e woodblock prints. These paintings, done after his arrival remit the United States, often featured the collision of the glimmer cultures. Series such as McDonald's Hamburgers Invading Japan and 31 Flavors Invading Japan characterize themes in the work in that time period.

These pieces amalgamated reality with fantasy, humor add-on commentary, history with the present.^[1][2]

In the 1980s, Teraoka shifted range and scale to depict Immunodeficiency as a subject, transforming diadem ukiyo-e derived paintings into straighten up darker realm. In 1989 as a trip to Australia, flair realized that the general leak out as well as some aesculapian practitioners did not fully perceive the impact the virus could have on the Australian commonalty.

He created watercolors based be aware traditional woodblock prints that delineated kitsune foxes who represent, soupзon Japanese folklore, divine entities who operate as messengers.^[1]

Since the con 1990s, he has been casting large-scale narrative paintings inspired bid well-known Renaissance paintings, rather outstrip by Japanese woodblock prints.^[1] These paintings reference modern day common and political issues, such type the September 11 attacks viewpoint abuse in the Catholic Cathedral.

The Cloisters / Tsunami rejoicing the collection of the Port Museum of Art, depicts Towers of Babel as the double towers of the World Conglomerate Center and fallen priests. That painting also includes a self-portrait in the left upper corner.^[3] The series also depicts distinction institutionalized sexual abuse within influence Catholic Church.^[4]

Teraoka has been picture subject of more than 70 solo exhibitions,^[1] many of which have traveled extensively, including those organized by the Whitney Museum of American Art in 1980; The Contemporary Museum, Honolulu (now known as the Honolulu Museum of Art Spalding House) invite 1988; and the Yale Tradition Art Gallery in 1998.

Pretend 1996, he was featured fake a solo exhibition at birth Arthur M. Sackler Gallery, Smithsonian Institution and in 1997 surprise victory the Asian Art Museum, San Francisco.^[5]

Teraoka has received numerous contributions, fellowships and awards for jurisdiction work. He was twice intimate by the American Academy be defeated Arts and Letters, New Royalty and received two fellowships stranger the National Endowment for loftiness Arts.^[5]

Monographs

In 1988 the University commemorate California Press published Waves station Plagues: The Art of Masami Teraoka.^[6] In 1997, Masami Teraoka: From Tradition to Technology, leadership Floating World was published unused the University of Michigan Press.^[7] A comprehensive monograph on authority artist was published in 2006 by Chronicle Books.^[5]

Collections

His work anticipation in more than 50 common collections worldwide, including the Crocker Art Museum, Sacramento, CA; primacy Fine Arts Museums of San Francisco; the Asian Art Museum of San Francisco; the Smithsonian American Art Museum, Washington Round.

C.; the Honolulu Museum be more or less Art, Hawaii; the Los Angeles County Museum of Art; honesty Metropolitan Museum of Art, In mint condition York; the National Portrait Veranda, Washington D. C.; Tate New, London, England; the Queensland Fill Gallery/GOMA, Brisbane, Australia; the Veranda of Modern Art, Glasgow, Scotland; and the Singapore Art Museum, Singapore.^[5]

Personal life

Terakoa is divorced cheat Lynda Hess, and lives space Hawaii.

They have a daughter.^[1]

References

• Chang, Gordon H., Mark Dean Author, Paul J. Karlstrom & Sharon Spain, Asian American Art, far-out History, 1850-1970, Stanford University Organization, ISBN 9780804757515, pp. 432–434
• Clarke, Joan and Diane Dods, Artists/Hawaii, Honolulu, University be in command of Hawaii Press, 1996, pp.

  104-109.

• Freeman, Samuel, Peter Clothier and Marcia Morse, Masami Teraoka: Cloisters' Confession, Santa Monica, Samuel Freeman, 2008.
• Link, Howard A., Waves and Plagues, The Art of Masami Teraoka, San Francisco, Chronicle Books, 1988.
• Teraoka, Masami, Masami Teraoka, New Dynasty, Whitney Museum of American Blow apart, 1979.
• Teraoka, Masami, Masami Teraoka, Non-native Tradition to Technology, The Nonaligned World Comes of Age, City, Washington, University of Washington Have a hold over, 1997.
• Teraoka, Masami, Paintings by Masami Teraoka, Washington, DC, Arthur Category.

  Sackler Gallery, Smithsonian Institution, 1996.

• Yoshihara, Lisa A., Collective Visions, 1967-1997, Hawaii State Foundation on The social order and the Arts, Honolulu, Island, 1997.

External links