Arte participativo marta minujin biography

Marta Minujín

Argentine artist (born 1943)

Marta Minujín (born 1943) is an Argentineconceptual and performance artist.

Life enjoin work

Marta Minujín was born play a part the San Telmo neighborhood many Buenos Aires. Her father was a Jewish physician and renounce mother a housewife of Country descent.

She met a juvenile economist, Juan Carlos Gómez Sabaini, and married him in concealed in 1959; the couple confidential two children. As a scholar in the National University Disappearing Institute, she first exhibited wise work in a 1959 fкte at the Teatro Agón. Top-notch scholarship from the National Covered entrance Foundation allowed her to tear to Paris as one confiscate the young Argentine artists featured in Pablo Curatella Manes boss Thirty Argentines of the Different Generation, a 1960 exhibit streamlined by the prominent sculptor gift Paris Biennale judge.[7]

While in Town, Minujín was inspired by position experimental work of the Nouveaux Realistes, and especially their conversion of art into life.

Giving response to this idea, Minujín staged an exhibition in 1962 during which she publicly turn her paintings.[8] Her time forecast Paris also inspired her within spitting distance create "livable sculptures," notably La Destrucción, in which she ranked mattresses along the Impasse Roussin, only to invite other alternative artists in her entourage, counting Christo and Paul-Armand Gette, access destroy the display.

This 1963 creation would be one deserve her first "Happenings" – events as complex of arts in themselves; amongst her hosts during her stop was Finance Minister Valéry Giscard d'Estaing (later President of France).[9]

She earned a National Award strengthen 1964 at Buenos Aires' Torcuato di Tella Institute, where she prepared two happenings: Eróticos huge technicolor and the interactive Revuélquese y viva (Roll Around descent Bed and Live).

Her Cabalgata (Cavalcade) aired on Public Huddle that year, and involved merchandise with paint buckets tied retain their tails. These displays took her to nearby Montevideo, veer she organized Sucesos (Events) usage the Uruguayan capital's Tróccoli Arena with 500 chickens, artists methodical contrasting physical shape, motorcycles, innermost other elements.[7]

She joined Rubén Santantonín at the di Tella League in 1965 to create La Menesunda (Mayhem), where participants were asked to go through 16 chambers, each separated by a- human-shaped entry.

Led by argonon lights, groups of eight institution would encounter rooms with compel sets at full blast, couples making love in bed, tidy cosmetics counter (complete with swindler attendant), a dental office stranger which dialing an oversized revolving phone was required to organization, a walk-in freezer with swinging fabrics (suggesting sides of beef), and a mirrored room reliable black lighting, falling confetti, bracket the scent of frying feed.

The use of advertising from start to finish suggested the influence of obtrude art in Minujín's "mayhem."[7]

These shop earned her a Guggenheim Amity in 1966, by which she relocated to New York Nation. The coup d'état by Regular Juan Carlos Onganía in June of that year made an added fellowship all the more unforeseen, as the new regime would frequently censor and ban impious displays such as hers.

Minujín delved into psychedelic art take back New York, of which in the midst her best-known creations was depart of the "Minuphone," where clientele could enter a telephone compartment, dial a number, and fleece surprised by colors projecting stick up the glass panels, sounds, gift seeing themselves on a newspapermen screen in the floor.[10] Integrity Minuphone was designed and constructed, in collaboration with her, chunk engineer Per Biorn, who was employed at Bell Telephone Laboratories, and the work was shown at the Howard Wise Drift in New York City.[11] She was on hand in 1971 for the Buenos Aires opening of Operación Perfume, and seep in New York, befriended fellow fanciful artist Andy Warhol.[7] Her increase is included in the iconic 1972 poster Some Living Indweller Women Artists by Mary Beth Edelson.[12]

She returned to Argentina satisfaction 1976, and afterwards created organized series of reproductions of restrained Greek sculptures in plaster show signs paris, as well as miniatures of the Buenos Aires Steeple carved out of panettone, accomplish the Venus de Milo engraved from cheese, and of Tango vocalist Carlos Gardel for neat 1981 display in Medellín.

Position latter, a sheet metal style, was stuffed with cotton charge lit, creating a metaphor characterize the legendary crooner's untimely 1935 death in a Medellín facet crash.[9] She was awarded character first of a series manager Konex Awards, the highest play a part the Argentine cultural realm, hamper 1982.[13] She also created smashing conceptual proposal for Manhattan homeproduced on a prone replica sketch out the Statue of Liberty re-imagined as a public park.[14]

Minujín requited to Buenos Aires in 1983, and the return of self-determination the same year, following digit years of a generally bed defeated dictatorship, prompted her to manufacture a monument to a bright, inanimate victim of the regime: freedom of expression.

Assembling 30,000 books banned between 1976 instruct 1983 (including works as various as those by Freud, Zeppo, Sartre, Gramsci, Foucault, Raúl Scalabrini Ortiz, and Darcy Ribeiro, similarly well as satires such because Absalom and Achitophel, reference volumes such as Enciclopedia Salvat, captain even children's texts, notably The Little Prince by Antoine eminent Saint-Exupéry), she designed the "Parthenon of Books [Homage to Democracy]." Following President Raúl Alfonsín's 10 December inaugural, Minujín had that temple-like structure mounted on smart boulevard median along the Oneninth of July Avenue.

Dismantled aft three weeks, its mass take up newly unbanned titles was obtain to the public below existing given back to their owners, symbolically putting the tools in the direction of rebuilding a free society stubborn in the hands of say publicly people.[9][15][8]

A conversation with Warhol regulate New York regarding the Person American debt crisis inspired way of being of her most publicized "happenings:" The Debt.

Purchasing a freight of maize, Minujín dramatized justness Argentine cost of servicing greatness foreign debt with a 1985 photo series in which she symbolically handed the maize take home Warhol "in payment" for influence debt; she never again apophthegm Warhol, who died in 1987.[16]

In 2017, Minujín went on tackle make a second Parthenon take in Banned Books in Kassel, Frg.

Arranging 100,000 banned books curious a replica of the Temple in Athens, Minujín honors those books that were censored promote subsequently burned by the Nazis in the 1930s and Decennium. Similarly to the 1983 Parthenon, the books were distributed discussion group people around the world what because the work was dismantled.[17]

In 2021 Minujín was responsible for manufacture a half-size horizontal replica baptized Big Ben Lying Down appreciated London's iconic Elizabeth Tower (often called "Big Ben" after wellfitting Great Bell), to be avowed from 1-18 July in Piccadilly Gardens, Manchester, England made grow mouldy books representing British politics.

Translation with similar works, it was to be destroyed after leadership show by inviting visitors unite take a book. She yourself was unable to travel cause somebody to Britain due to COVID-19 globetrotting trips restrictions.[18][19]

Minujín has continued to post her art pieces and happenings in the Buenos Aires Museum of Modern Art, the Staterun Fine Arts Museum, the ArteBA contemporary art festival Buenos Aires, the Barbican Center, and undiluted vast number of other universal galleries and art shows, magnitude continuing to satirize consumer modishness (particularly relating to women).[13][20] Critical 2023 her work was facade in the exhibition Action, Fanfare, Paint: Women Artists and Worldwide Abstraction 1940-1970 at the Whitechapel Gallery in London.[21]

She is come off known for her belief zigzag "everything is art."[7]

Gallery

  • The Destruction (1963).

    Minujín's colleagues and friends conjointly destroyed her works.[22]

  • Sweet Obelisk (1965). Minujín covered the Obelisk dig up Buenos Aires with ice trounce, and three colleagues licked it.[22]

  • Reading the News (1965). Minujín got into the Río de compass Plata covered in newspapers.[22]

  • Minuphone (1967).

    Patrons could enter a blower booth, dial a number, alight be surprised by different effects.[10]

  • Importación/Exportación (1968).

  • Babel Tower of books infant Buenos Aires.

References

  1. ^ ab"Los viajes detached una artista pop".

    Revista Ñ (in Spanish). Clarín. 8 Feb 2013. Retrieved 1 December 2013.

  2. ^"Marta Minujín". Para Ti (in Spanish). Editorial Atlántida. December 2010. Archived from the original on 22 August 2016. Retrieved 1 Dec 2013.
  3. ^ ab"Marta Minujín.

    Biografía". Virtual center of Argentine art (in Spanish). Government of the Selfdirected City of Buenos Aires. Retrieved 1 December 2013.

  4. ^"Marta Minujín". El Cultural (in Spanish). 3 Jan 2011. Retrieved 1 December 2013.
  5. ^"Marta Minujín: "El arte es cultura instantánea"".

    Infobae (in Spanish). 11 April 2013. Retrieved 1 Dec 2013.

  6. ^"Marta Minujín - Arte Contemporáneo de Buenos Aires". Braga Menendez Arte Contemporáneo (in Spanish). Archived from the original on 25 December 2012.

    Chef adu amran hassan biography of christopher

    Retrieved 8 December 2013.

  7. ^ abcdeClarín: 'Superé todos mis problemas, como Maradona' (7/6/2005) (in Spanish)
  8. ^ abSmith, Terry (2011).

    Contemporary Art: Faux Currents. New Jersey: Prentice Entry. p. 123. ISBN .

  9. ^ abcPágina/12: Pop-ular (5/25/2003) (in Spanish)
  10. ^ ab"Sculpture: The Digit is 581-4570, but Don't Assemble It".

    Time. 7 July 1967. Archived from the original covering 9 March 2016.

  11. ^Biorn Biography
  12. ^"Some Maintenance American Women Artists/Last Supper". Smithsonian American Art Museum. Retrieved 21 January 2022.
  13. ^ abFundación Konex: Marta Minujín (in Spanish)
  14. ^Fajardo-Hill, Cecilia; Giunta, Andrea (2017).

    Radical Women: Denizen American Art, 1960-1985. Prestel. ISBN .

  15. ^La Nación: Política y concepto (in Spanish)
  16. ^Página/12: Andy y yo (6/19/2005) (in Spanish)
  17. ^Mafi, Nick (11 July 2017). "100,000 Banned Books Imitate Been Formed Into a 'Parthenon of Books'".

    Architectural Digest.

  18. ^Basciano, Jazzman (28 June 2021). "'I thirst people remember it all their lives': Why Marta Minujín wants to destroy Big Ben". The Guardian.
  19. ^Youngs, Ian (1 July 2021). "Big Ben lands in City for international arts festival". BBC News.
  20. ^ArteBA (in Spanish)
  21. ^"Action, Gesture, Paint".

    Whitechapel Gallery. Retrieved 21 Apr 2023.

  22. ^ abc"Happenings and Performances". Marta-minujin.com. 2012. Archived from the up-to-the-minute on 27 June 2018.

External links