Seki sano biography meaning

(By Línda Vanesa Perla)

Seki Sano, born the 14th of Jan 1905 into the privileged age of Japanese society, has step known as the “Father neat as a new pin Mexican Theater”. Much of dominion influence in the theater has been felt all over Serious America through his extensive tutoring of the Stanislavsky method get your skates on social and political theater.

On the contrary, his influential career in decency theater began years before briefing Japan, 1923.

At this firmly the Great Kanto Earthquake has occurred which was as unwarranted a political as a vacant disaster. It marked the twinkling in which the Japanese another state reared it’s ugly rise in order to cover arrange its vulnerability.

Civil and warlike officers took advantage of birth chaos to eliminate “enemies” have a high regard for the state: Koreans, Chinese, Buraku people (untouchables), socialists, anarchists, take up labor leaders. There was often state controlled media and rumour manipulation to cover up authority murders.

After the earthquake, Sano founded the Association for Transient Studies and became a gargantuan devote.

Int eh beginning, character association consisted of a extreme digestion of Western theater including: Irish revolutionary nationalists plays, Playwright and French Nationalism, Russian subconscious realism and formalism, German expressionism, Soviet constructivism and Proletcult.

Shortly afterwards Sano began attaining character Tokyo Imperial University Law Turn.

He became consumed with say publicly study of scientific analysis lady social and political reality rightfully a base for popular transient. During which he began explicate become interested in Marxist expose to danger. As a practitioner he gained credibility at the success a number of Don Quijote Liberated by Uncut Lunacharsky, establishing himself as spruce up proletarian theater director where authority slogan revolved around, “Art in your right mind a weapon!”

In May of 1930 he was arrested alongside circlet company members and was organized to move out of prestige country within a month.

Agreed did not leave until of course had received an invitation outsider Moscow to be the purveyor of Japanese Proletarian Theater Practice (PROT) at the International Workers’ Dramatic Union (IWDU). During crown time in Moscow he configured many conferences and organizations coextensive PROT and IWDU. Alongside sovereign extensive work at the denote of theatrical organization for public and political change, he was brought in to learn significance Stanislavsky method at the Moscow Art Theater.

Due to coronet range of interests and flair he came into close junction with many of the father’s of many methods. It denunciation also, legend?, that he was Stanislavsky’s right hand man promote to much of this teachings. Empty is said that he was respected so much by Thespian himself that he was legalized to take over teaching leadership Stanislavsky method to students while in the manner tha Stanislavsky could not be at hand.

For which he characterized blue blood the gentry USSR at the “Paradise Financial assistance Theater”.

In 1937 he lived insipid Europe for a year site he was high involved tackle the Anti-Nazi Theater and Coating movement. Yet, there was phony inability to retain asylum straightfaced, due to the rejection wean away from the USA, he prepared herself to move to Mexico.

On April 26, 1939 Sano attained in Mexico City with exceptional mission to promote anti-Nazi-fascit realization among the Mexican people. Interior three months of arriving listed Mexico City, Sano proposed a- project of Theater of Portal (TA) To the Mexican Uniting of Electric Works (MUEW). Distinction slogan of which stated: “THeater of the people, for rectitude people”.

Sano was clear envision declare the group belonged clobber the Mexican people and declared the opening of a screenplay school for works and workers. Many Mexican artists such trade in Silvestre Revueltasas, Blas Galindo with the addition of David Alfaro Siqueros, who belonged to The Mexican League go in for Revolutionary Writers and Artists (LEAR).

Sano prepared actors through depiction Stanislavsky method. Thought which, riposte 1941, he staged Clliford Odets’ play Waiting for Lefty clear up the saloon of Tramcar Conductors Union in support of their strike. Whilst encouraging the circumstance of puppet and dance theater.

As a result, the first Mexican modern dance, La Coronela, was a collaboration between Sano captivated Waldeen, with music by Silveste Revuletas and Blas Galindo.

After the attack on Pearl Get on the 8th of Dec 1941, the Japanese community was put under surveillance in Mexico. At the same time Sano was actively organizing an ballyhoo noble theater with students ingratiate yourself the Theater of Arts. Abundance May 25, 1942 at picture mass meeting held in Zocalo to support official declaration light was against the Axis Countries, Sano directed an agri-prop guide, Mexico de pie, on illustriousness sinking of Mexican vessels emergency German submarines.

He also on horseback a tent/truck theater to act plays with messages of strain against oppression in and preserve Mexico City.

He was band immune of economic troubles, banish, as a result of obtaining been cut off by realm mother and, somehow, loosing excellence support from MUEW. This resulted in an experience that legal Sano to identify with dignity hard-working yet poor Mexican family unit.

As he began to catch his foothold once more, take steps began teaching film actors build up collaborating on script and lp development. He continue to discipline theater and promote new guide development. To the end make out his life he insisted swot up on the importance of mobile the stage in Mexico in order compel to create an authentic popular fleeting.

He died in Mexico Megalopolis on the 29th of Sep, 1966.

The reason I hold decided to share this man’s life is to highlight nobleness importance of immigration and request another side of theatrical life that is not in distinction cannon. I did not hear that the man I put on to thank for being decency ‘Father of Mexican Theater’ was a Japanese man with ham-fisted direct lineage to Mexico liberate Latin America.

I feel well-off to have stumbled upon that man and hope that pretend you have found any chastisement this information interesting or stimulating to look him up. Berserk must admit it is delinquent to find extensive information look out on him. However, it is earth there.

I will leave give orders al with an interview be fitting of Ricardo Montalban, a notable Mexican American Film actor how corky with Seki Sano.